EnDOW presented at Europeana Licensing Workshop in Luxembourg

The first outcomes of EnDOW project were presented and discussed at the 4th Europeana Licensing workshop in Luxembourg on the 26th and 27th November 2015. The workshop was organised by the Bibliothèque Nationale de Luxembourg, Kennisland (Amsterdam) and the Institute for Information Law (IViR) of the University of Amsterdam.

The discussion focused on the “diligent search” requirement of the Orphan Works Directive. A mayor issue arises in respect to accessibility of sources: according to our survey,  69% of the compulsory sources are freely accessibile online in the UK, but the value drops to 41% in the Netherlands and 24% in Italy. This means that performing a diligent search on works contained in library collections is overly complicated in these countries. See the presentations for more details:

  • Crowdsourcing diligent search: a solution for the orphan works problem? (Maurizio Borghi) >> download here
  • The accessibility of the sources for diligent search (Marcella Favale) >> download here


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Crowdsourcing diligent search: a solution for the orphan works problem?

On 29 September 2015 the Digital Catapult Centre in London hosted a one-day workshop on Copyright and orphan works, which brought together legal experts, archivists and museums curators to explore challenges and opportunities of the recently implemented orphan works legislation.

As part of the workshop, Maurizio Borghi introduced the EnDOW project and the concept of relying on crowdsourcing to reduce the costs of diligent search for cultural institutions.

The slides presentation can be downloaded here.

1_29 Sept_Maurizio_rettangolare


Crowd-sourcing is an organization model that harnesses the power of crowds to solve problems (crowd wisdom), to fund initiatives (crowd funding), or to produce artworks (crowd creation). This model is increasingly implemented by businesses and by not-for-profit organizations. It has already produced astonishing results in the fields of information technology and biotechnology.[1]

In particular, the concept of building upon collective intelligence to perform legally binding searches of information has been successfully applied in patent law.[2] Crowd-sourced systems of prior art searches have been used by patent offices, including the US Patents and Trademark Office and the IP Australian Office. Recently the UK Intellectual Property Office has also run a pilot “peer to patent” experiment aimed at sourcing prior art investigation through observations on patent applications by the research and technology communities through the Internet. The information collected from the public helps patent examiners determining if a patent application is for a new and inventive invention. This pilot experience was judged useful and time-saving in the context of UK patent examination.[3] In a similar vein, NGOs that oppose patenting in certain fields, such as biotechnology or information technology, have relied on similar systems to search prior art capable of destroying the novelty of patent applications.[4] In the specific field of cultural heritage, a resourceful initiative by the British Library, the Mechanical Curator, enables crowd-sourced classification of images, which in turn are offered for free reutilization to users.[5]

Crowd-sourcing can help gathering information that would otherwise be difficult or impossible to collect. In particular in the field of cultural artefacts, information necessary to right clearance can be complex and dispersed in various channels. This is notably the case with the information necessary to carry out diligent searches on works, such as: who is the author, when did the author die, to whom have the rights being transferred? The relevance of this information to ascertain the legal status—in-copyright, out-of-copyright, “orphan”—varies from jurisdiction to jurisdiction and for categories of works, depending on the copyright duration and on the laws governing orphan and out-of-print works. The search therefore cannot be carried out without specialised legal guidance.

EnDOW draws upon diluted and dispersed information on cultural artefacts with the aim of transforming it into a reliable and legally valid source to perform diligent searches on works in order to determine their copyright status. To this end, EnDOW applies the concept of crowd-sourcing to copyright search, building on the assumption that public participation may work well in the context of cultural heritage. Mass digitisation and access to 20th Century cultural heritage will benefit first and foremost the public at large and will foster unprecedented circulation and creation of cultural products. This is a great incentive for the public to collaborate and to make this happen. In fact, collaborative user-generated platforms have already proved a successful model for culture and information sharing as the Wikipedia experience shows. On the other hand, cultural institutions have a strong incentive to participate in a programme that reduces costs of clearing rights, enhances public participation, and eventually empowers sustainable use and management of the cultural heritage items contained in their collections.


[1] Prpic, J. and Shukla, P. (2013) ‘The Theory of Crowd Capital’, IEEE Computer Society Press, Forthcoming. Available at SSRN: <>

[2] Noveck, B.S. (2006) “Peer to Patent: Collective Intelligence, Open Review, and Patent Reform’ Harvard Journal of Law & Technology 20/1.

[3] UKIPO 2012. Results of the Peer to Patent experiment are available at <>, at 17 (accessed 24-09-14).

[4] Noveck 2006, supra n. 29.

[5] <> (last accessed September 2014).

July 2015: EnDOW Inception

Diligent Search is an online resource designed to assist European cultural institutions engaged in digitisation of their collections. The design of the resource is currently in progress, as part of a project funded by the Joint Progamme Initiative on Cultural Heritage (see details in the box on the right and in the About page).

Once operative, Diligent Search will provide cultural institutions with a resource to carry out diligent searches of rightholders and to “crowd-source” certain phases of this process, so that they can legally digitise their collections.

‘Captivated’ by Adolphe-Alexandre Lesrel (1839–1929)

‘Captivated’ by Adolphe-Alexandre Lesrel (1839–1929)

European cultural institutions are increasingly engaged in digitisation and making available online of works and artifacts contained in their collections. Europeana, the portal of European cultural heritage, gives access to almost 50 million digital objects from libraries, museums and archives.

However, digitisation of recent cultural heritage is still undermined by the risk that copyright and related rights may still subsist in the works. Under the recent European Directive on OrphanWorks, cultural institutions are allowed to make certain uses of those works if none of the rightholders could be identified or located after having carried out a diligent search.

Legislations of each Member States determine the conditions under which such a diligent search must be carried out; in particular, national legislations determine which sources must be consulted for each category of work to locate the potential rightholders.

Diligent Search will experiment an easily accessibile, user-friendly and legally informed system to carry out diligent searches in different countries, and on different categories of works and phonograms. A beta version of the system, with limited functionalities, will be made available for testing by end 2016.

If you are interested in taking part in the beta testing and want to share your experience on diligent search with our researchers, please contact the project leader.

EnDOW Kick Off Meeting in Bournemouth

On the 1st and 2nd of July 2015 the Kick Off meeting and the Advisory Board meeting of the EnDOW Project took place in Bournemouth University. The agenda of the meeting is available here.

First, The project leader Maurizio Borghi recalled the issues with Diligent Search for Oprhan Works and the potential of crowdsourcing to address this problem (here).
Second, Marcella Favale illustrated the whole project and working packages (here).This was followed by an introduction of the Advisory Board, which took part to the general discussion on the plans and challenges ahead. A full report of the meeting is available here.